Pałac Lucypera (Kurpiński, Karol) - IMSLP (2024)

Table of Contents

Sheet Music Scores Vocal Scores Arrangements and Transcriptions General Information Navigation etc.

Movements/SectionsMov'ts/Sec's	4 acts
Genre Categories	Operettas; Theatrical Works; Operas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; Polish language; For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

Sheet Music

Scores

Overture
*#440164 - 4.59MB, 64 pp. -0.0/10246810 (-)- V/V/V - 24×⇩ - Іоахимъ

PDF scanned by D-Dl
Іоахимъ (2016/9/22)

⇒ 4 more: Act I • Act II • Act III • Act IV

Act I
*#440165 - 15.42MB, 202 pp. -0.0/10246810 (-)- V/V/V - 13×⇩ - Іоахимъ

PDF scanned by D-Dl
Іоахимъ (2016/9/22)

Act II
*#440166 - 10.29MB, 124 pp. -0.0/10246810 (-)- V/V/V - 13×⇩ - Іоахимъ

PDF scanned by D-Dl
Іоахимъ (2016/9/22)

Act III
*#440167 - 7.34MB, 108 pp. -0.0/10246810 (-)- V/V/V - 14×⇩ - Іоахимъ

PDF scanned by D-Dl
Іоахимъ (2016/9/22)

Act IV
*#440168 - 11.02MB, 142 pp. -0.0/10246810 (-)- V/V/V - 9×⇩ - Іоахимъ

PDF scanned by D-Dl
Іоахимъ (2016/9/22)

Publisher. Info.	Holograph manuscript, n.d.[1811]. (possible holograph)
Copyright	Public Domain[tag/del/mrg]
Misc. Notes	Sächsische Landesbibliothek, Dresden (D-Dl): Mus.4669-F-1
Purchase	Javascript is required for this feature.

Uwertura
*#510446 - 2.88MB, 45 pp. -0.0/10246810 (-)- !N/!N/!N - 164×⇩ - Michał Grocholski

PDF typeset by upload
Michał Grocholski (2018/2/1)

Editor	Filharmonia Opolska Opole Philharmonic(b. 1952)
Publisher. Info.	Filharmonia Opolska Opole Philharmonic, 2017.
Copyright	Creative Commons Attribution 4.0[tag/del]
Misc. Notes	Komputerowe opracowanie partytury Przemysław Neumann. Dofinansowano ze środków Instytutu Muzyki i Tańca w ramach programu Muzyka i Taniec – Interwencje 2017
Purchase	Javascript is required for this feature.

Vocal Scores

Selections

18. Page's arietta
*#439031 - 1.79MB, 3 pp. -0.0/10246810 (-)- V/V/V - 11×⇩ - Іоахимъ

PDF scanned by K-P.dl
Іоахимъ (2016/9/13)

Arranger	Composer?
Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain[tag/del]
Purchase	Javascript is required for this feature.

Arrangements and Transcriptions

Selections

Overture

For Piano

Overture (Sinfonia)
*#439032 - 6.76MB, 10 pp. -0.0/10246810 (-)- V/V/V - 14×⇩ - Іоахимъ

PDF scanned by K-P.dl
Іоахимъ (2016/9/13)

Arranger	composer?
Publisher. Info.	Manuscript, n.d.
Copyright	Public Domain[tag/del]
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title	Pałac Lucypera
Alternative. Title	The Palace of Lucifer
Name Translations	Lucifer's Palace; Luzifers Palast
Authorities	Wikipedia
Composer	Kurpiński, Karol
I-Catalogue NumberI-Cat. No.	IKK 12
Movements/SectionsMov'ts/Sec's	overture, 4 acts Overture (Andante — Allegro risoluto) Act I 1. Introdukcja czyli Arietka (Gospodyni oberzy): O srebro lube i złoto (Allegro ma non troppo) 2. Piosneczka (Gaweł): Czy na miejscu czy w podróży (Tempo di polacca con variazioni) 3. Śpiew (Gospodyni oberzy): Taka to słabośċ młodzieży (Moderato) 4. Duetto (Adelajda, Lancelot): Nie mamią oczu kochanki (Allegro moderato) 5. [Chor] (Gospodyni oberzy, Lancelot, chór wieśniaków): a. Gdzie jest ten rycerz spaniaty (Moderato) b. Ca la la wdzię cznaza (Più mosso ma non troppo) 6a. Aria (Lancelot): Wracajcie spokojnie (Allegro — Allegretto — Tempo I) 6b. [Chor] (repetition of Più mosso ma non troppo) 7. Finale (Gospodyni oberzy, Lancelot, Gaweł): a. Ach Panie drogi (Vivace) b. Śmiać się: i. Śmiać się ii. Ty co niegdyś przy mym (Moderato) iii. Na pola stawy [?] (Più mosso assai) iv. Ach przynajmniej (Recitativo) v. Im ne czek mi ty [?] (Allegretto) vi. A więc śpieszmy się (Allegro) c. Idą więc tak idą (Allegro molto e risoluto) Act II 8. Entrakt, potym Duetto (Lancelot, Gaweł): a. Entrakt (Sostenuto) b. [Recitativo]: Co za ruiny zwaliska! c. Duetto: Dwizem ja mnogość mieszka [?] (Andante) 9. [Aria] (Lancelot): Nie wątpmy jeszcze o człeku (Andante) 10. [Aria] (Gaweł): Gdyby Gaweł byt bogaty (Poco allegretto) 11. Recitativo (Lancelot, Gaweł): a. Adagio, pod teatrem b. Ah Panie! Cóż tam znowu (Allegro vivace) c. Adagio, pod teatrem d. Po tej zmianie widzę [?] 12. [Chor]: Królowa podziemnego (Allegro assai — Adagio molto — Andante con moto) 13. Recitativo [ed] aria (Amanda): a. Recitativo: Stójcie stróże Korony (Maestoso) b. Aria: Nie wolne mieszkańcem ziemi (Moderato) 14. [Chor] (Królowa, Lancelot, Rządca, Gaweł, chor): a. Co za bluźnierstwo (Allegro risoluto) b. Niech go wme czarnie [?] (Molto vivace) 15. [Aria] (Adelajda): O nieba mój mąż porwany (Allegro agitato — Andante con moto — Tempo I) 16. Finale (Adelajda, Gaweł, chor): Baz stąd kobielo [?] (Molto vivo) Act III 17. Melodrama (Lancelot? others?): Wpadłem wjąc w sieła [?] (Andante) 18. [Cavatina] (Paź): Nie gardź radami młodego dworaka (Andante) 19. [Chor] (Amanda, Leida, Emira, chor): Na wdzięczne miłości łono (Andante giusto) 20. Recitativo, aria, [duetto i chor]: a. Recitativo (Amanda): Nie słucham więcej ni słowa (Allegro) b. Aria (Lancelot): Drogiemi węzły ujęty (Larghetto — Allegro moderato) c. [Duetto] (Amanda, Lancelot): Wszelakie ogniwa [?] (Moderato) d. Recitativo (Amanda): Uchodźmy tomarzyszki [?] e. [Chor] (Amanda, Lancelot, chor): Więc biada dla niewolnika [?] (Andante come sopra) 21. [Terzetto] (Niewolnik, Lancelot, Rządca): Czy zapomniałeś (Allegro vivace) 22. [Melodrama] (Lancelot? others?): Odkuj ciego wiedzcie na skałę [?] (Andante) 23. Finale (Leida, Emira, Paź, Lancelot, Rządca, chor): a. Daj miecz abym na połowę (Allegro vivo) b. Niechaj go związią [?] (Quasi presto) c. Lecz czegoź my tak lękliwe stojem [?] (Più presto) d. Recitativo (Lancelot): Nie bydzie cie rozbejniki [?] e. Czy mozna za czyn łakmaty [?] Act IV 24. [Canzonetta] (Adelajda): Dla biednych kmiotków obrony (Andantino) 25. [Recitativo & Duetto] (Adelajda, Gaweł): a. [Recitativo]: Stało się! Mąż mój zabiły (Maestoso) b. [Duetto]: Jaki żal dzięczynie [?] c. Recitativo: Oddal się ja wle [?] (Allegro moderato) d. [Duetto]: Co widzę mąż mój [?] (no tempo — L'istesso tempo) e. Recitativo: Patrz cie wzywa mią [?] (no tempo — Più mosso — Stretto) 26. Marche 27. [Scena] (Adelajda, Amanda, Lancelot) a. Recitativo [ed aria] (Amanda): i. Recitativo: I to jest twoje ostatnie słowo (Andante) ii. [Aria]: the text is illegible [?] (Allegro ma non molto) iii. Recitativo: Nieckgo wręca katownie [?] b. [Duetto e] recitativo: i. [Duetto] (Adelajda, Lancelot): Prozwaj mnie [?] (Andante) ii. Recitativo (Adelajda, Amanda, Lancelot): Nu wy żyć poląmeni [?] c. [Aria & chor]: i. [Aria] (Amanda? the caracter is not specified): O wypiekla [?] ii. [Chor] (Adelajda, Lancelot, chor): Chrońmy się w nasze mieszka [?] 28. [Canzonetta] (Gaweł): Kto słowo raz dane łamie (Andantino) 29. [Terzetto] (Leida, Emira, Gaweł): Uwielbiamy twoje zdanie (Allegretto) 30. Marche 31. Coro generale: Już się nie zmieni wasza swoboda
First Performance.	1811-11-09 in Warsaw
Librettist	Alojzy Żółkowski (1777-1822) after "Le château du diable" Joseph-Marie Loaisel de Tréogate (1752-1812) (?) and "Des Teufels Lustschloss" by August von Kotzebue (1761-1819)
Language	Polish
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voices, chorus, orchestra Cast Adelajda (soprano) Leida (soprano) Emira or Enira? (soprano) Amanda (soprano) Gospodyni oberzy (?) Paź (soprano) Królowa (soprano) Niewolnik (tenor) Lancelot (bass) Gaweł (bass) Rządca (bass) Mixed Chorus (SSSTTBB) Orchestra piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons 2 horns, 2 trumpets, 3 trombones, timpani, strings
Manuscript Sources	D-Dl, Mus.4669-F-1, with incipits
External Links	Wikipedia article

Navigation etc.

Text incipits marked "[?]" need to be corrected by someone who can read Polish cursive.
Instrumentation and roles from RISM. Roles listed in Polish Wikipedia (from a 2014 book) contain some different names: hrabia Magnus (= Rządca), Habakuk (= Niewolnik), Róża (= Amanda). Lancelot and Magnus are listed as baritones, not basses. It seems that Kotzebue's libretto has nothing to do with Żółkowski's Polish version: both of them are derived from Loaisel de Tréogate's play, but separately.
Piano score of Aria from No.20 (transposed) is available on Towarzystwo Muzyczne im. Karola Kurpińskiego we Włoszakowicach, but the words are different (even the role: Lancelot is named Wojewoda). Don't know how to explain it.

Retrieved from ""

Categories:

Scores from SLUB Dresden
Manuscripts from the 1800s
Composers' holographs from the 1800s
Pages with RISM references
Manuscripts
Opole Philharmonic, Filharmonia Opolska/Editor
Scores from the Kujawsko-Pomorska Digital Library
Scores
Kurpiński, Karol
Romantic style
Romantic
Operettas
Theatrical Works
Operas
For voices, mixed chorus, orchestra
Scores featuring the voice
Scores featuring mixed chorus
Scores featuring the orchestra
For voices and chorus with orchestra
Polish language
For piano (arr)
For 1 player (arr)
Scores featuring the piano (arr)
Pages with arrangements
Żółkowski, Alojzy/Librettist
Loaisel de Tréogate, Joseph-Marie/Librettist
Kotzebue, August von/Librettist
Pages with RISM citations

Pałac Lucypera (Kurpiński, Karol) - IMSLP (2024)

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